Hebrew School


Fishback: Who’s coming?
April 16, 2009, 8:53 am
Filed under: shows | Tags: , , , ,

Friend, colleague and Six Points Fellow Dan Fishback’s You Will Experience Silence runs for just four more nights: tomorrow (4/17), Saturday (4/18), and next Tuesday and Wednesday (4/21-4/22) at Dixon Place.

Down for a tale of gay Maccabees, interwoven with the anti-adventures of a modern-day crazed activist? Absurdist meditations on citizenship, imperialism and sexual ethics? Get tickets now.



Hebrew School at Banjo Jim’s

I’m happy to report on the success of Hebrew School’s first show this past Sunday at Banjo Jim’s. Since the show for me was somewhat experimental in nature– a way for me to chart the project’s musical direction in a live setting– I hadn’t publicized it widely outside of the blog. Nonetheless, a staunch group of dear friends came out to support me, including the amazing Jill Vogel, playwright Adam Mathias, director William Addis, Jorge Reichert, Innajara Simoes, and dear friend Kate Taylor.

Though tonight was largely a Six Points evening, it started out with a really fabulous singing and guitar-piano duo, the Pearl and the Beard.

above: Pearl, Beard

Clare Burson‘s new material is sweet and haunting.

My set, starting a little after 9:30, filled out the Super Bowl‘s calamitous fourth quarter for my hometown team, the New England Patriots. I literally watched the implosion occur as I played, on the TV screen above the bar. Nonetheless, the ruach (i.e., the Schwartz) was with me…

At a certain point I chose to ecstatically look at the ceiling instead. What would JJD?

…and thanks to the musicians I worked with, Taylor Bergren-Chrisman and Tim Monaghan, we did more than get the first downs. As a matter of fact, I believe we rocked.

Here’s a clip of the tail end of a work in progress entitled “He Looked at the Sun.” More videos to be posted on youtube soon!

The set included several more works in progress, including a song about hypocrisy in the Bible in the context of the current Israel/Palestinian struggle, an argument for atheism, and an incantation of love and reverence for God. Some songs use Jewish liturgical texts; some have original lyrics.

Dan Fishback phenomenized the defeatingly self-aware, post-structuralist woe of a twentysomething with the predictable vigor and candor.

Jeremiah Lockwood wove together a very different kind of blues, full of splendid tales of faith and murder, creatively and deftly accompanying himself– often in unison– with octave voicings on the guitar.

Thanks to those who came out, and keep an eye out for more Hebrew School in the not-too-distant future!